Business Suits

Thursday, August 18, 2011

Mens Vintage Clothing

ZOOT SUITS

Worn first by rebellious black and hispanic teenagers on both coasts in the late 20s/30s as a statement against the majority, the zoot was soon picked up by musicians and dancers in the early 1940s and even found its way into mainstream fashion.
The zoot jacket is oversized, wide-shouldered, and hangs almost to the knees. Often, it is double-breasted with wide, low lapels. Zoot pants are low-crotched and high-waisted, often coming halfway up the torso. They are deeply pleated at the waist (generally two or three mammoth pleats on each side) and generously cut at the knee. Zoot pants taper sharply at the ankle to end in a deep cuff that rests on the shoes. The width at the ankle is generally only be as wide as needed to get over the heel (though some men had zippers sewn into their cuffs to get a tighter fit) and the cuff was 1-2" deep.
The fabric for zoot suits was like the suits themselves - dramatic and overstated. The fabric was either brightly colored or boldly patterned with wide pinstripes or glen check. With fabric, the bolder the better - the goal was to distinguish oneself from the mainstream.




OXFORD BAGGIES

Oxford Baggies originated on the campus of Oxford University, England, during the summer of 1920. The full cut of these pants and cuff with a circumference of 22 inches allowed students to easily slip them on over their beloved knickers, which had been banned by the University. Unlike the ZOOT SUITS, Oxford Baggies were more socially accepted and worn by the masses.

JAZZ SUIT

Jazz clothing surfaced in 1919 as a new music called Jazz was first being performed. This JAZZ SUIT, identified by it's extremely trim, tight/pinched look, was worn by those in the theatrical profession. As seen in World War One uniforms the jacket has a unique waist seam.

SACQUE SUITS

Sacque Suits were worn by the common man from the 1850's - 1920's. They were appropriate for all but the dressiest occasions. Full cut Jacket with 4 button high gorge and trousers are straight cut and without cuffs.
Sacque's modern styling comes by way of its short, slim-fitting jacket and its low-rise, straight-leg pant. Together they create a sleek, contemporary look.

E-tailor at www.mycustomtailor.com

Wednesday, November 10, 2010

Elements Of Formal Clothing - Part 2

Parts of a suit

There are many possible variations in the choice of the style, the garments and the details of a suit.

The cut

The silhouette of a suit is its outline. No suit is skin-tight; the amount of extra fabric and the way it hangs is known as the drape. The shape of the front of the suit is particularly affected by the way the suit buttons. The two main cuts consist firstly of double-breasted suits, a conservative design with two vertical rows of buttons, spanned by a large overlap of the left and right sides; and secondly, single-breasted suits, on which the sides just meet at the front down a single row of buttons.

British suits are characterised by moderately tapered sides, minimal shoulder padding, and two vents. Italian suits are characterised by strongly padded shoulders, strongly tapered sides, and no vent. American suits are considered more casual than the preceding styles, and are characterised by moderate shoulder padding, minimally tapered sides, and a single vent. The sack suit is a loose American style. Contemporary is a term that includes a variety of recently designed garments that do not fit into the preceding categories.

The suit is cut out from a length of fabric from a roll by a cutter using a cutting pattern, a paper outline of the parts. The pattern can be draughted in various ways. With a ready-to-wear suit, the same pattern is used many times to make identical suits. Made-to-measure and bespoke cutters can work by pattern manipulation, altering a stock pattern, or by using a drafting formula to calculate adjusted lengths. Some bespoke tailors work by "Rock Of Eye", drawing and cutting by eye.

Fabric

Suits are made in a variety of fabrics, but most commonly from wool. The two main yarns produce worsteds (where the fibres are combed before spinning) and woollens (where they are not). These can be woven in a number of ways producing flannel, tweed, gabardine, and fresco among others. These fabrics all have different weights and feel, and some fabrics have an S (or Super S) number describing the fineness of the fibres. Although wool has traditionally been associated with warm, bulky clothing meant for warding off cold weather, advances in making finer and finer fiber have made wool suits acceptable for warmer weather, as fabrics have accordingly become lighter and more supple. For hot weather, linen is also used, and in North America cotton seersucker is worn. Other materials are used sometimes, such as cashmere. Silk and silk blended with wool are sometimes used. Synthetic materials, while cheap, are very rarely recommended by experts.

The main four colours for suits worn in business are black, light grey, dark grey, and navy, either with or without patterns. In particular, grey flannel suiting has been worn very widely since the 1930s. In non-business settings or less-formal business contexts, brown is another important colour; olive also occurs. In summer, lighter shades, such as tan or cream, are popular.


For non-business use tweed has been popular since Victorian times, and still is commonly worn. A wide range of colour is available, including muted shades of green, brown, red, and grey.Tweeds are usually checked, or plain with a herringbone weave, and are most associated with the country. While full tweed suits are not worn by many now, the jackets are often worn as sports jackets with odd trousers (trousers of different cloth).

The most conventional, universally occurring suit is a 3-button navy blue suit, which can be worn either with matching trousers, or with different, lighter-colored trousers for a more casual look. Other conservative colors are greys, black, and olive. White and light blues are acceptable at some events, especially in the warm season. Red is usually considered "unconventional" and "garish". Tradition calls for a gentleman's suit to be of decidedly plain color, with splashes of bright color reserved for neckties, kerchiefs and, sometimes, hose.

In the US and UK, suits were never traditionally made in plain black, this colour instead being reserved for formal wear (including dinner jackets or strollers), and for undertakers. However, the decline of formal wear in recent years has meant that black, as well as being popular in fashionable scenes, such as clubbing, is now also being worn in formal contexts (such as to a funeral or religious function) in place of the traditional more formal wear.

Traditional business suits are generally in solid colours or with pin stripes; windowpane checks are also acceptable. Outside business, the range of acceptable patterns widens, with plaids such as the traditional glen plaid and herringbone, though apart from some very traditional environments such as London banking, these are worn for business now too. The colour of the patterned element (stripes, plaids, and checks) varies by gender and location. For example, bold checks, particularly with tweeds, have fallen out of use in America, while they continue to be worn as traditionally in Britain. Some unusual old patterns such as diamonds are now rare everywhere.

Inside the jacket of a suit, between the outer fabric and the inner lining, there is a layer of sturdy interfacing fabric to prevent the wool from stretching out of shape; this layer of cloth is called the canvas after the fabric from which it was traditionally made. Expensive jackets have a floating canvas, while cheaply manufactured models have a fused (glued) canvas. A fused canvas is less soft and, if poorly done, damages the suppleness and durability of the jacket, so many tailors are quick to deride fused canvas as being less durable. However, some selling this type of jacket claim that the difference in quality is very small. A few London tailors state that all bespoke suits should use a floating canvas.

E-tailor at www.mycustomtailor.com

Tuesday, November 09, 2010

Elements Of Formal Clothing - Part 1

Business Suits

The variations in design, cut, and cloth, such as two- and three- piece, or single- and double- breasted, determine the social and work suitability of the garment. Often, suits are worn, as is traditional, with a collared shirt and necktie.Until around the 1960s, as with all men's clothes, a hat would have been also worn when the wearer was outdoors. Suits also come with different numbers of pieces: a two-piece suit has a jacket and the trousers; a three piece adds a waistcoat; further pieces might include a matching flat cap.

Originally, as with most clothes, a tailor made the suit from his client's selected cloth; these are now often known as bespoke suits. The suit was custom made to the measurements, taste, and style of the man. Since the Industrial Revolution, most suits are mass-produced, and, as such, are sold as ready-to-wear garments (though alteration by a tailor prior to wearing is common). Currently, suits are sold in roughly three ways:


* bespoke, in which the garment is custom-made from a pattern created entirely from the customer's measurements, giving the best fit and free choice of fabric;
* made to measure, in which a pre-made pattern is modified to fit the customer, and a limited selection of options and fabrics is available;
* and finally ready-to-wear, which is least expensive and hence most common.

Main article: History of suits

The current styles were founded in the revolution during the early seventeenth century that sharply changed the elaborately embroidered and jewelled formal clothing into the simpler clothing of the British Regency period, which gradually evolved to the stark formality of the Victorian era. It was in the search for more comfort that the loosening of rules gave rise in the late nineteenth century to the modern lounge suit.

The word suit derives from the French suite, meaning "following", from some Late Latin derivative form of the Latin verb sequor = "I follow", because the component garments (jacket and trousers and waistcoat) follow each other and have the same cloth and colour and are worn together.

E-tailor at www.mycustomtailor.com

Sunday, January 17, 2010

Best Winter Suits For Men

When the snow starts falling and the temperature in the thermometer drops way low, often times fashion goes right out the window. While its understandable to trade aesthetics for functionality, it isn't necessarily needed when it comes to the realm of men's suits. For many parts of the country, putting together a winter business wardrobe is a stylish way of keeping warm that is all too often overlooked. If you enjoy men's suits, one thing is for sure, you will enjoy keeping warm and cozy in the richness of textures and patterns available in the winter suiting fabrics.

It All Starts with the Fabrics

For winter, suits require a heavy and big type cloth, stuff that is all at once beefy and elegant. Most suits made for winter in the US features nothing more than heavy gabardine, which just creates a heavy look that doesn't drape well at all. Another down side to this is that most finely finished wool doesn't preform well in the elements. Snow and Rain have tendency to break down the yarn of these "high twist" suit fabrics causing a fuzzy texture and when pressed, a shiny finish.

The best winter suits feature variations of English tweed and flannel. Both are hard to describe but instantly recognizable, incredibly elegant and when worn during winter, very, very functional. Tweed features a "mill" finish that gives it its distinct look. The way the yarn is twisted creates a soft and naturally weather resistant barrier that keeps moisture out but heat in. When the yarn is woven it seem to be a blending of different shades, which creates the rich depth of color. Flannel is a finer more "finished" version of tweed, created to be more suitable for the offices and courtrooms, than the sporting beginnings of the original. Also naturally weather resistant, Flannel creates a lighter look with out giving up the functionality. Flannel is more commonly seen today, while tweed, on the other hand, is almost non existent in off the rack brands. This forces aficionados to look towards tailored custom suits for their tweed fix.


The Cut of a Winter Suit

When choosing the best cut for your winter suit, look for something that is less constructed and a little roomier than your fall and spring clothing. The reason for an unconstructed suit is that the heavier fabrics will be able to give the suit body and shape with out the need for much canvas or padding. This is ideal for those wanting the look of a winter suit with out the bulk. A roomier fit, on the other hand, is recommend to allow for a little more layering. Sweaters, scarves and gloves are all the winter wardrobe mainstays and you will need a little more room to layer it all and still be comfortable.

Chris Vance is the senior trends and fashion spotter for Requisite clothing, a custom clothing design house specializing in custom suits, custom shirts, custom tuxedos and sports wear for both men and women.


We Remain with Best Regards,
E-tailor at www.mycustomtailor.com

Tuesday, November 24, 2009

More On Topstitching

What is it?
Topstitching is a single or multiple set of lines of stitching showcased on the garment right side, either for decorative or functional purposes. It's found on many types of garments, from sporty to formal, tailored to heirloom. The term is often used interchangeably with edge stitching, though generally topstitching refers to a stitching line about 1/4" from the edge or a style line, such as seaming or pockets. Edge stitching, as its name suggests, is done very close to the edge. Occasionally, both types of stitching are used in a single design area. For example, a collar may be both edge stitched and topstitched. Topstitching helps to hold garment layers in place and keep edges flat, or it may be a means of attachment for a design feature, like a pocket or band. On a collar or lapel edge, the added stitching keeps facings rolled under and gives a structured look.

Thread Tricks
Because topstitching is meant to be seen as a design detail, it's often done with a contrast and/or heavy weight of thread for prominence. Many thread companies make a "topstitching weight" in basic colors, and a sometimes in a variety of fibers, including silk.

Topstitching can also be done using regular sewing-weight thread, either in a matching or contrasting color. It's also possible to put two all-purpose threads through a single needle to make a more visible stitching line.

Stitch Smarts
Most topstitching is sewn with a straight stitch, using a slightly longer length than is used for garment construction. When using topstitching thread, it's imperative to lengthen the stitch to create a good quality stitch.
Topstitching can also be done using a triple straight stitch, where the machine actually stitches backward and forward in the same line, creating a more prominent look.
Decorative machine stitches can be used for topstitching if they seem appropriate to the garment styling.

Thinking Straight
Since topstitching is highly visible, it's important that the stitching lines are perfectly straight. Most machines have a presser foot where the distance from the needle to the foot edge is 1/4", which can be used as a guide.
Some machine brands also offer a 1/4" topstitching foot, with a raised edge guide, either fixed or adjustable.

Twice as Nice
Topstitching can also be done using a twin needle to create two rows of straight stitching on the garment right side, spanned by a zigzag on the underside. The two threads may be the same or differing colors. This technique is often used on knits for hemming.

E-tailor at www.mycustomtailor.com

Sunday, October 25, 2009

Understsnding The Details For Mens Suit

In this article we will discuss the parts that make up a man's suit. Although off the rack suits afford you little flexibility in adjusting these parts, the man who goes with a bespoke or made to measure suit has the freedom of choosing the option that best compliment his body. In any case, all men should understand the basics of the suit and its parts so that they buy a garment that accentuates their most positive traits.

Single or Double Breasted

The first and perhaps most noticeable element of the suit is whether it is single or double-breasted. Single-breasted suits have a single row of buttons down the front, and the jacket flaps only overlap enough to permit buttoning. A double-breasted suit has two rows of buttons, and the front overlaps sufficiently to allow both flaps to be attached to the opposite row of buttons. The choice between single- and double-breasted is a matter of personal taste, though the vast majority of American men choose single breasted suits as that this is what is readily available to them; also a lack of familiarity with the double-breasted option may account for the single-breasted suit's dominance. Thin gentlemen, particularly those who are somewhat taller, can benefit greatly from double-breasted suits, as they will give a fuller appearance to the figure; on larger men, double-breasted suits can have a tendency to draw attention to the midsection, so careful attention and an expert tailor should be employed.

Lapels

Lapels come in a variety of styles with a number of options. The lapels' width is perhaps subject to the most variance, with the extremely narrow lapels of the 1950s standing in stark contrast to the excessively wide lapels of the 1970s. As is the case with much of classic fashion, the most timeless lapels are of a moderate width. In addition to different widths, suit lapels come in two styles: notched, which has a wide V-shaped opening where the lapel and collar join; and peaked, which flares out in a sharp point with a very narrow deep V at the join. Notched and peaked lapels are equally classic, though the latter are most commonly found on double-breasted jackets. A peak lapel on a single-breasted jacket is an excellent way to raise its level of formality, but is almost impossible to find on anything but a custom made suit

Waist Buttons

A suit jacket has either one row of buttons or two, depending on whether it is single- or double-breasted. A single-breasted jacket has a single row of buttons, numbering anywhere from one to four, though two and three are the most common. The three-button jacket is the most traditional configuration, taking its cue from English riding jackets; properly worn, it gives the illusion of height. Traditionally, only the middle or second button is fastened when standing, though the top two buttons may be fastened to produce a slightly more formal appearance. Two-button suits are a slightly later innovation, and because they show more of the shirt and tie, can produce a slightly more slimming appearance. Only the top button of a two-button jacket is fastened; with the exception of a jacket with only one button, the bottom button of a single-breasted jacket is never fastened.

Double-breasted jackets most commonly have either four or six buttons on each side - where there are six buttons, only the lower four are for buttoning, though due to the design of the suit, only two will actually be buttoned at any given time. There is also an extra hidden button on the reverse of the outside flap of a double-breasted suit, onto which the inside or "hidden" flap attaches. Contrary to the habits of certain celebrities, a double-breasted jacket is never left unbuttoned when standing, permitting it to flap around wildly; it is always securely buttoned upon standing and remains buttoned until one is again seated. Additionally, while the bottom button of a single-breasted jacket is always left undone, both of the operable buttons on a double-breasted jacket are fastened. As with the gorge of the lapel, the height of the waist buttons can been altered slightly to accentuate or diminish height, but this must be done carefully.


Sleeve Buttons

There are numerous historical reasons for jacket sleeves bearing buttons, from encouraging the use of handkerchiefs to allowing a gentleman to wash his hands without removing his jacket, a traditionally grave social offense in mixed company. Whatever the reason for their arrival on jacket sleeves, they now form an important part of the detail work or trimming of the jacket. Most traditionally, jacket sleeves bear four buttons, though it is not uncommon to find three. Regardless of number, there should be at least as many of them as there are buttons on the waist, and they are always placed within a half-inch or so of the hem. On bespoke suits, and even some of the higher-quality made-to-measure jackets, the sleeve buttons are functional. When the buttons are functional, there is some temptation to leave one button undone in order to draw attention to the feature - and by extension, the quality of the suit - though this is a matter of personal taste.

Jacket Pockets

The most formal are jetted pockets, where the pocket is sewn into the lining of the jacket and only a narrow horizontal opening appears on the side of the jacket. These pockets, being nearly invisible, contribute to a very sleek, polished appearance, and are most frequently found on formal-wear. The next style, the flap pocket, is slightly less formal, though it is perfectly acceptable in all the circumstances where a gentleman is likely to be found in a suit. Flap pockets are made identically to jetted pockets, but include a flap sewn into the top of the pocket, which covers the pocket's opening. These are the most common pockets on suit jackets, and in the very best, are fabricated so that the wearer may tuck the flaps inside, mimicking the jetted pocket. There are also diagonally-cut flap pockets known as hacking pockets, though they are somewhat less common; the hacking pocket is derived from English riding gear, and is most prominent on bespoke suits from English tailors, particularly those traditionally associated with riding clothes. The least formal are patch pockets, which are exactly what the name implies: pockets created by applying a patch to the outside of the jacket. Patch pockets are the most casual option; they are frequently found on summer suits that would otherwise appear overly formal, as well as on sports jackets.

Ticket pocket

Some jackets, particularly bespoke and finer made-to-measure offerings, include a small ticket pocket above one of the side pockets, generally on the same side as the wearer's dominant hand. This pocket is rarely used in modern times, and serves more as an indication of the suit's quality.

Breast Pocket

Moving up the jacket is the breast pocket, which is always open, and into which only one item is ever placed: the handkerchief or pocket square. The reason for this is twofold: First, like the side pockets, any items placed in the breast pocket create lumpy projections which distort the sleek appearance of the suit, and second, the breast pocket and the inside left pocket share the same space in the jacket's lining, meaning that objects in the breast pocket tend to force items in the inside pocket into the wearer's ribs, which is quite uncomfortable.

Vents

Moving on from pockets we find the vents, flap-like slits in the bottom of the jacket which accommodate movement and offer easy access to the trouser pockets. Jackets have three styles: center, side, or none. Ventless jackets, just as the name implies, have no vents, and are popular on Continental suits; they provide a very sleek look to the back of the jacket, though they can lead to wrinkling when the wearer sits down. Center-vented jackets, very popular on American suits, have a single slit at the back, allowing the jacket to expand at the bottom when sitting. Because of its placement, center-vented jackets have a habit of exposing the wearer's posterior, though most seem not to mind, as center vents remain the most popular style. A side-vented jacket has two vents, one on either side, generally just behind the trouser pockets, to provide easy access. Side vents also facilitate sitting more easily, moving as needed to prevent the rumpling of the jacket back, which leads to creasing.

Now that we have an understanding of the parts of a jacket, its time that we learned about proper fit and proportion.

E-tailor at www.mycustomtailor.com

Sunday, October 11, 2009

How To Choose Men's Suit Color

Most men choose a suits color based off of two factors. The salesman says the color looks good and the man buying the suit can not find anything wrong with it. The problem here is that most men do not know what colors compliment their complexion, and instead of choosing a color that enhances their looks they choose a color that simply fits in.

Have you ever wondered why you see so many men wearing navy blue suits? Its not that this color enhances so many men's natural style; its just men playing the game of safety in numbers. The purpose of this article is to open your eyes to the world of men's suit colors and encourage you to choose a fabric that compliments your individual style.

The Triad: Navy Blue, Black and Charcoal Gray

These three colors dominate the men's suit industry, and for good reason. Most men are complimented by one or more of these dark colors. Dark suits have the ability to seamlessly transition from business to pleasure, in addition to a slimming effect of the silhouette. Let us talk about each color quickly

Navy Blue

Navy blues strength lies in its sheer dominance. Most men own at least one, and if you have ever walked into a business meeting you can be sure more than half the men will be clad in one. But this is its chief weakness; how can you stand out when 90% of your body looks exactly the same as over 50% of the room. We tend to forget that our clothing sends off strong signals, and if you want to be anything but average you want to present yourself as such, not always try to blend in. In addition, those with a very light complexion need to pair navy blue with rich colored shirts; a white or ice blue shirt will drain the color right from their face. Finally, young men are advised to avoid this color as that it has a habit off accentuating youth.

Black

A more difficult color to wear, it is perceived by many as the choice for funerals and weddings. No argument there; however, it is so much more for the man with the right complexion. No other color has such a slimming effect, and depending on the dress shirt it can go from regular office wear to drinks with friends at the hippest nightclubs in New York. The key to wearing black is being a high contrast individual, a man with dark hair with light to medium colored skin. The effect is a properly framed face to where all the attention is drawn.

Charcoal Gray

Charcoal gray suits projects an image of authority, stability, and professionalism. It is an excellent choice for a first suit, especially for young men as that it does accentuate youth (unlike Navy Blue). Although clearly lighter than black or navy blue when placed side by side, it nonetheless is just as acceptable at all business functions and interview situations. Possibly the most versatile color, it looks good with almost any colored shirt imaginable.


Colors more men should consider.

Brown

Brown ranges from a light through a deep chocolate hue. Many men look their best in earth-tones, making the brown suit an important part of their wardrobe; it is also a popular color for causal options including tweed suits and sports jackets. One caveat: until the early 1980s, brown was not considered a color for business (we can thank Ronald Reagan for their return). While the times have changed there are still some members of the old guard who continue to hold to the old rule that brown does not belong in town. This should not dissuade the well-dressed gentleman from wearing brown with confidence, but it is important to be aware.

Tan

The navy suit for warm weather, tan is an excellent choice. Less flashy than white, it none the less commands attention and can set you apart from the crowd while keeping you cool. If you live in a cold weather city, a tan suit is ideal for spring and summer while in a warmer climate it is appropriate year round. The tan suit pairs well with white, light blue, or any pale pastel shirt. Best of all, this gives you the chance to really make your dark ties stand out.

Taupe

A color that falls between gray and brown, taupe is a great choice for the man who has a couple of the basic colored suits in his wardrobe and is looking for a color out of the ordinary that still maintains a professional appearance. Great for use year round, the taupe suit is a little less dressy than a charcoal suit but more likely to draw compliments because of it's ability to compliment a man's finer features.

Light Gray

A great spring and summer color that doesn't draw attention to the wearer but instead signals a suave persona confident in his own skin, light gray is an excellent choice for any complexion. Live in a warmer climate? Then light gray is appropriate year round. The light gray suit pairs well with white, light blue, and almost any pale colored shirt, although if you are light complected you may want to go with a bolder hue.

White

The Classic color of summer. You don't have to be Tom Wolfe to stay cool and look great. White compliments all but the lightest complexions, and even then the right shirt choice can remedy that situation. The key to wearing a white suit is confidence, especially in the United States where a suit in this color is hard to come by.

E-tailro at www.mycustomtailor.com